Oldboy

Oh. My. God. If you ever thought a movie twisted the fabric of your mind as to what is and isn't possible in this modern world of cinema, watch Oldboy and I'm sure it will surpass all your previous notions. Chan-wook Park is a Korean director who specializes in incredible stylistic camera work and artistic cinematography within a carefully constructed narrative. Oldboy is the second film in his aptly named "vengeance trilogy." It is about a man who is imprisoned 15 years for unknown reasons. After enduring painful loneliness for all this time, he is released, only to find out he has five days to find out why he was imprisoned. It starts off strange and different, yet don't get discouraged. Everything echoes throughout the film to end with one of the most twisted and stunning climaxes I have ever witnessed. My jaw was left wide open for the last fifteen minutes of this movie, and then about ten more after the credits finished rolling. If it hadn't been so late I might have hit the play button again as soon as I made it back to the DVD menu. It was utterly mind blowing.
I was most definitely not prepared going into this film, but it only served to heighten the experience of watching this practically perfect film. Oldboy hits the ground running and within five minutes of the film we get an incredible taste for what Chan-wook Park's filmmaking is all about. It's fast. It's fun. But it's also smart. Amidst the vibrant colors and the beautiful cinematography there is an incredible narrative. As the mystery of this film unravels we are pulled farther and farther in. And of course at the end of the film it just explodes in our faces without hardly any warning. You will be amazed. You will be disturbed. It will most definitely catch you off guard. It was all so expertly done and I just couldn't avert my eyes for one second in fear of missing the mysterious grandeur of this film. Every moment and every character serves the plot to some avail. There isn't a moment in Oldboy that felt unnecessary or overdone. It's one of the brilliantly made films which comes full circle by the end, only wanting you to rewind and watch the whole thing over again, immediately. I can't come up with enough words to describe how awesome this story is. It is definitely one of those you absolutely must see for yourself.
I'm sure it's a ballsy statement to make, but Chan-wook Park could be the next Akira Kurosawa, only this time slightly more hardcore, obviously. Every shot of Oldboy is so incredibly crafted, down to the most finite detail. The entire film is handled with such care and precaution, and the results are astounding. There are moments in the film which resonate the style of other master directors. There are multiple shots in the film which are heavily Scorsese influenced, for example. However, there is still an extremely definitive style here which belongs to Park. This style is what prevails over any of the specific influences scattered throughout the film. If Park continues to make films like this he will most likely go down in history as one of the genius auteurs of the 21st century. However, on that same note I would be amazed if he ever made anything that could top Oldboy.
Oldboy is one of those films which you will never be able to get out of your head. Whether this is a good or bad thing is up to you, but to me it was a great thing. It's a one of a kind film which could never recreated in it's full glorious essence. There was once talk of an American remake of this film, and I'm not sure I could have stomached that, knowing for a fact that any American team could never top the demented perfection of the original. Oldboy is utterly incredible. Every moment is perfect. It gets everything right and goes farther than you could ever imagine. The best part is that Oldboy doesn't fall into one specific genre of film, making it an example of how practically any film should be made, in essence. It would be a crime to go through life never seeing this film.